Pip-Estella's relation was central to the story and a part of the reason why I liked What are some good ideas for a character analysis of Estella from the book. deepest meaning. And yet, this "centre" or adequate love for Estella (and therefore for Biddy, or for any to the relationship between Pip and Estella. It is in the. Estella's bloodline is another instance of how Dickens is able to intertwine family relationships with plot in Great Expectations. Estella is the daughter of Abel.
In this cruel scheme Pip is a mere guinea pig for Estella to practice her heart-breaking skills on. In this sense, the beautiful girl is raised to be just as cold and unattainable as the sparkling but ever distant star in the nocturnal sky: She seemed much older than I, of course, being a girl and beautiful and self-possessed; and she was as scornful of me as if she had been one-and-twenty, and a queen.
There was no discrepancy of years between us, to remove her far from me; we were of nearly the same age […]; but the air of inaccessibility which her beauty and her manner gave her, tormented me in the midst of my delight […] Wretched boy!Pip and estella
She is thousands of miles away from me. I adopted her to be loved. I bred her and educated her to be loved.
Examine the development and effects of the relationship between Pip and Estella.
I developed her into what she is, that she might be loved. Ironically enough, true love is the one thing Estella will never receive, neither through her biological nor her foster mother, and least of all her husband. Even Pip is, as I am going to show, not truly interested in what is best for Estella, but in what is best for himself. He knows that Estella does not love him but this does not affect his determination to one day call her his. Then, I thought, if she were, as I feared, by no means rapturously grateful for that destiny yet, when would she begin to be interested in me?
When should I awaken the heart within her that was mute and sleeping now? However, this is contradicted by the fact that she shows numerous times in the novel that she holds Pip in a much higher regard compared to other men, and doesn't want to break his heart as she does with the others that she seduces. One of the possible meanings of this is that Estella, even though she doesn't acknowledge the fact, loves Pip.
The manner in which Estella was brought up saw that she would undergo strong emotional suppression and is unable to identify her own feelings, let alone express them.
The Relationship Between Pip, Jaggers and Estella Great Expectations
In a way, Estella is a character to be pitied, and even through her actions, we can see that she is still a victim of Miss Havisham's cruel vengeance. Estella as a symbol of Pip's longings in Life[ edit ] Pip is fascinated with the lovely Estella, though her heart is as cold as ice. Aside from the evident romantic interest, which continues through much of the story, Pip's meeting with Estella marks a turning point in his young life: Estella criticises Pip's honest but "coarse" ways, and from that point on, Pip grows dissatisfied with his position in life and, eventually, with his former values and friends as well.
Pip spends years as companion to Miss Havisham and, by extension, Estella.
Estella (Great Expectations) - Wikipedia
He harbours intense love for Estella, though he has been warned that Estella has been brought up by Miss Havisham to inspire unrequited love in the men around her, in order to avenge the latter's disappointment at being jilted on her wedding day. Estella warns Pip that she cannot love him, or anyone. Miss Havisham herself eventually decries this coldness, for Estella is not even able to love her benefactress.
Estella and Pip as adults[ edit ] After Pip receives an unexpected boon of a gentleman's upbringing and the "great expectation" of a future fortune from an unknown benefactor, he finds himself released from the blacksmith's apprenticeship that had been funded by Miss Havisham as compensation for Pip's years of service to her.
He also finds himself thrown into Estella's social milieu in London, where Pip goes to be educated as a gentleman. He relentlessly pursues Estella, though her warm expressions of friendship are firmly countered by her insistence that she cannot love him.
In fact, Pip discovers that Miss Havisham's lessons have worked all too well on Estella; when both are visiting the elderly woman, Miss Havisham makes gestures of affection towards her adopted daughter and is shocked that Estella is neither able nor willing to return them.
Estella points out that Miss Havisham taught her to be hard-hearted and unloving. Even after witnessing this scene, Pip continues to live in anguished and fruitless hope that Estella will return his love.
Estella flirts with and pursues Bentley Drummle, a disdainful rival of Pip's, and eventually marries him for his money. Seeing her flirt with the brutish Drummle, Pip asks Estella rather bitterly why she never displays such affection with him. Rather than achieve the intended effect, this honest behaviour only frustrates Pip. It is implied that Drummle abuses Estella during their relationship and that she is very unhappy. However, by the end of the book, Drummle has been killed by a horse he has allegedly abused.
The references to Drummle's marriage and death are conjectural, and no direct evidence is produced or suggested.
Great Expectations: The strange romance of Pip and Estella
Pip 'hears' of Drummle's poor behaviour and accepts the information as truth. The relationship between Pip and Estella worsens during their adult lives.
Pip pursues her in a frenzy, often tormenting himself to the point of utter despair. He makes writhing, pathetic attempts to awaken some flicker of emotion in Estella, but these merely perplex her; Estella sees his devotion as irrational. Varied resolutions of Estella's relationship with Pip[ edit ] Estella and Pip.
Though Estella marries Drummle in the novel and several adaptations, she does not marry him in the best-known film adaptation. However, in no version does she eventually marry Pip, at least not within the timespan of the story. The eventual resolution of Pip's pursuit of Estella at the end of the story varies among film adaptations and even in the novel itself.
Dickens' original ending is deemed by many as consistent with the thread of the novel and with Estella's allegorical position as the human manifestation of Pip's longings for social status: I was in England again—in London, and walking along Piccadilly with little Pip—when a servant came running after me to ask would I step back to a lady in a carriage who wished to speak to me.