Henry Clerval | Mary Shelley Wiki | FANDOM powered by Wikia
Henry Clerval and Victor Frankenstein see the world in almost completely opposing ways. Henry is a Romantic, someone who responds emotionally to nature. Character Explanations/ Frankenstein Nature Quotes a horrific appearance which drives any form of human relationship away from him. Henry Clerval- (pg . This quote is spoken from Victor's point of view towards his feelings of Henry. Frankenstein~ Henry Clerval and Victor Frankenstein. Jekyll And Mr Hyde, Gothic Horror, Disney Memes, Book Stuff, Scientists, Ouat, Miraculous, Random.
The novel she penned in one year and published in at 19 years old seared itself into the Western literary canon and gave humankind one of its most fascinating, most disturbing, most heartbreaking characters—Frankenstein was alive. Yes, by someone who was not William Godwin.
We told you this was a soap opera. However, Fanny will be an important detail later. Portrait of Mary Shelley by Richard Rothwell, Oh yes, we forgot to mention that Percy Bysshe Shelley was married.
At this time, biology was the burgeoning science of the day. Tales of alchemists and scientists using electricity and magnetism to bring dead animals and newly-hanged convict corpses back to life made their way into the conversations Mary overheard in the elite, scholarly circles that surrounded her.
When Lord Byron, a notable yet morally bankrupt wit, entered the picture, things got very exciting and even more complicated. While traveling the Rhine, Mary heard of a dubious anatomist named Konrad Dipple who conducted gruesome re-animation and soul-transference experiments from his home, a stone fortress called Castle Frankenstein. Victor had a brother of his own; however, he considered Clerval, an only child, to be like a brother to him as well. But after much convincing, Henry sets out to Ingolstadt, where Victor studied, to pursue his dream of furthering his education.
Henry is compassionate, optimistic, and had a love for reading and literature. Readers are first introduced to Henry in Chapter two when Victor is describing how admirable of a guy he is.Quick-fire quotes: Henry Clerval
However, readers actually meet Henry in chapter five of the novel when Victor has just finished creating the monster. Henry, proving to be the great friend that Victor has described, ignores his studies and nurses the scientist back to health.
Once Victor is back to normal, or at least healthy, he and Henry set out to leave for their hometown, Geneva. Victor and Henry eventually part ways on their journey. Chapter twenty-one is the last readers hear of Henry where he meets fate when the monster strangles him. In chapter two readers learn that Victor liked to be alone with the exception of his family and one friend, Henry.
Victor then goes on to describe that Henry is a talented person when it comes to writing, business work, and has an adventurous spirit. Even though it is not directly stated at this point in the novel that Henry Clearval demonstrates compassion, readers can safely assume that he is. Considering the fact that Victor selectively chooses with whom he spends his time, Henry must display the characteristic of kindness.
If Henry lacked this it would be very unlikely that Victor would want to be so close to him.
What Is Love? Baby, Don’t Hurt Me.
The first, which involves the homecoming of the youths to Geneva, helps to denote the blossoming of Henry as a maturing Romantic mind. The last four could serve to provide Clerval with a more worldly understanding of texts and poetry—classical plays such as those emulated by Percy Shelley would have consisted of Greek and Latin texts, while both Persian and Arabic boast poetic masterpieces, including the works of Rumi. Though interactions with the monster mar the complete recovery of Frankenstein, he does recognize the differences between his condition and that of Clerval.
Romanticism and its ideas, not reasoning proven by experiment, animate Henry, and we become certain of his full evolution into the symbol of the Romantic poet during the second excursion the two men take. During the pre-marriage European tour upon which the friends set out, Frankenstein provides the reader with one of his most lengthy and vivid descriptions of his surroundings in the entire novel.
During his rendering of the environs through which they traverse, the narrator weaves comments on the interplay between Clerval and nature.
Henry Clerval Character Analysis
His soul overflowed with ardent affections, and his friendship was of that devoted and wondrous nature that the worldly-minded teach us to look for only in the imagination. But the latent fever of scientific fact rears its head to claim Frankenstein once more. He separates himself from the companionship of Clerval and the urgency of his appointed task destroys his physiological and psychological well-being, ravenously devouring the peace of mind the influence of Romanticism has bestowed upon him.
As before, he toils without end toward the fulfillment of his task. This time, though, doubt creeps into his heart. At last, he resolves to halt any further demand of empirical knowledge on him, tearing the second monster to bits before the very eyes of his taskmaster. The monster represents his original burning passion for information, attempting to cow him into subservience to its desire for more cold, hard facts removed from the motherly, beneficent guidance of nature.
The roaring beast that his appetite for artificial knowledge as become repulses his endeavor to deny it. Once Victor has engaged the desire for empirical data, he cannot destroy it, and it succeeds in gaining control over his actions and potential for happiness in life. The power of Clerval as the figure of the Romantic poet cannot stand against the child of natural philosophy, who proceeds to take revenge on the singular figure with any capability to deter its hold on Frankenstein.
The development of Clerval as a figure representative of Romanticism parallel to the infection of Frankenstein with the disease of scientific knowledge attributes meaning to both.
Through their contrast, we see a strongly positive presentation of the ideas of the Romantic movement, held in high esteem by writers and poets during the time in which Shelley composed Frankenstein. We can also view Romanticism as a cure for the empirical, an alternative to the drive toward hard science as a field that betters the human experience. Unfortunately, we also find it possible to interpret through the success of the monster that artificial, experimentally-based reasoning boasts the strength to quash the still-blossoming poetic genre.